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Image: Images: School of Water for the 23rd Biennale of Sydney (2022) at The Cutaway, Barangaroo. School of Water was presented in partnership with Hayball. Photograph: Four Minutes to Midnight.

The Waterhouse, rīvus, 23rd Biennale of Sydney (2021 -2022)

The Waterhouse was anchored at The Cutaway at Barangaroo. It was the place where our programs, learning encounters and community gatherings exist, challenging where knowledge lived and how it was shared. The Waterhouse was built with the 23rd Biennale of Sydney, titled rīvus, that imagined rivers, wetlands and other salt and freshwater ecosystems as dynamic living systems. It extended upon the foundational principle of rīvus, “building upon what’s already there” and gifted agency to those who connected to it by empowering audiences to recognise that their journey held great value.

The Waterhouse acknowledged the ‘teacher’ in all, manifesting in animals, plants, environments and humankind. It celebrated waters, trees, insects, and children as places and spaces that hold an abundance of knowledge to be collected and shared. It createed conditions where the generative accumulation of knowledge was facilitated. By enabling learning to happen through the various teachers of life, we aimed to shift the way we humans think about our place in the world and slowly, over time, change our practice of being ‘with’ the world.

The Waterhouse was a place with a history, developed in response to Casa M, Porto Alegre, Brazil; Artistic Director José Roca’s earlier project which formed the heart of the 8th Mercosul Biennale (2011). Casa M provided a habitat for gathering, a newly constructed, physical place for the community to come together, engage in critical dialogue, make and learn. Casa M was born from an identified need for greater infrastructure for artists and audiences.

As a product of its time, The Waterhouse was a place-responsive encounter that worked with pre-existing architecture within The Cutaway at Barangaroo. Sustainable in thinking and in practice it looked towards questioning accepted modes of learning and sharing by presenting alternative possibilities. The methods and approaches were fresh and unexpected. They aspired to ground and expand our connection with rīvus and what it could offer us all.

As a tangible entity, it lived, and it breathed. Envisioned as a wetland, its edges were porous, like liquid – holding space for mystery, growth and symbiotic relationships.

The Waterhouse asked to be experienced – with consciousness and care.

See more here: https://www.biennaleofsydney.art/the-waterhouse/

Supporting Programs & Leaky Experiences

Images: anti-symposium for the 23rd Biennale of Sydney (2022) at The Cutaway, Barangaroo. Photograph: Four Minutes to Midnight.

anti-symposium: arts pedagogy as social practice, Biennale of Sydney (2022)

anti-symposium: arts pedagogy as social practice explores educator practice as a form of relational and social work. Held across three days, anti-symposium invites educators from all sectors including primary and secondary school, community, tertiary, arts and cultural environments to contribute to a ‘pond’ of ideas sharing practices, experiment and challenge one another. anti-symposium is grounded in building strong, community foundations and relations with peers and leading pedagogical thinkers across the world. By modelling diverse educative approaches, the anti-symposium will gift educators with new tools to explore within collaborative learning environments, through newly created exercises and resources that extend beyond the three-day experience. 

Each day of the anti-symposium will be led by artists and pedagogical practitioners including Pablo Helguera (Day 1), Stephanie Springgay (Day 2) and collective project, Creekulum (Day 3). The structure of anti-symposium is inspired by artist Asad Raza’s Schema for a School, 2015 and includes tea, meditation, active exercises, reading groups, reflective strategies and collaborative resource construction.

Emerging from educator and social practices, anti-symposium intends to build and inspire a collective of facilitators, learners and thinkers, together acknowledging the importance of pedagogical practice.  

anti-symposium will include a loving lunch daily created by social enterprise and asylum seeker kitchen Parliament on King. Food will be used as a tool for grounding the learnings built throughout the three-day experience. 

Images: School of Water for the 23rd Biennale of Sydney (2022) at The Cutaway, Barangaroo. School of Water was presented in partnership with Hayball. Photograph: Four Minutes to Midnight.

School of Water, Biennale of Sydney (2022)

Bringing 12 different practitioners together from the rīvus exhibition program, The Waterhouse public program and the pre-Biennale program Water Lessons, School of Water is a critical project that flows across a two-year period embedding feedback and key learnings from the public and their curiosity about water.   

Developed in partnership with Hayball architectural studio, the two-day project will pop-up and takeover The Waterhouse encouraging intergenerational audiences to collectively consider the following questions through sharing and making.  

How can we collectively heal the urban Watering Hole?  

The Watering Hole in the School of Water is a place of nourishment, connection and co-dependence. It speaks to the need for healthy, abundant water systems and environments, but also a spiritual relationship with water and nature more broadly. Across the two-day period the public will collaborate with artists, architects, scientists and dynamic thinkers in the construction of a real-life watering hole that will live at The Waterhouse. To enable the project to live on beyond the two-day period, a collective Manifesto will be written mapping how we can continue the healing process of the human in the environment and with water.

Images: Water Lessons for the 23rd Biennale of Sydney (2022) at South Eveleigh Community Rooftop, Watchtower, La Perouse and Indigigrow. Water Lessons is presented by the Biennale of Sydney with assistance from Mirvac, Parliament on King and Randwick City Council. Photograph: Four Minutes to Midnight and Document Photography.

Water Lessons, Biennale of Sydney (2021 - 2022)

Water Lessons celebrates learning through doing. Taking place on the third Sunday of each month throughout April 2021 – May 2022, Water Lessons is an opportunity to connect with community in the lead up to and throughout the 23rd Biennale of Sydney (2022). Diverse water specialists from various fields of interest, knowledge and research are invited to host each monthly lesson and to facilitate interaction with participants. Each lesson provides a new lens to understand the complexities of water as material, muse and resource. Water Lessons embraces the reality that we all hold water expertise through our social, cultural, political and historical relations with it. Collaboration, dialogue and exchange are foregrounded through Water Lessons as essential tools for learning and sharing. Water Lessons aims to unpack the qualities, powers, threats and future imaginaries of water, together.

Images in order of appearance: Courtesy of WalkingLab a SSHRC-funded international research-creation project co-directed by Stephanie Springgay (McMaster University) and Sarah E. Truman (University of Melbourne). Detail from the Slow Spatial Reader, courtesy of the Slow Research Lab. Still Seals;kin Lament Hannah Tuulikki and Space In Between Designs courtesy of Biennale of Sydney.

Space In Between, Biennale of Sydney (2022)

Let us walk. Together. Alone. Quietly. Consciously.
Let us turn our gaze – inward, outward.
Let us pay attention to place. To the natural and built world that surrounds us, hugs us, nourishes us.

Space In Between connects the 23rd Biennale of Sydney locations from National Art School, Museum of Contemporary Art, Pier 2/3 at Walsh Bay Arts Precinct and The Cutaway at Barangaroo, through mindful walking. The paths, like the river, flow both ways; there’s no beginning or end – you can move in both directions and start or finish wherever you like.

As you view the exhibition, walking from point to point, take note of your journeys and soak in the creative potential embedded in the natural and urban environments through unearthing stories of place, both visible and hidden. Along the way visit unexpected locations like the Tank Stream, where place-responsive activations will shift your perspective (up, down, around), and experience the City as new, despite the time spent previously (or not) deep within her belly.

Participants include: Bronwyn Bailey-Charteris (Sweden/Australia) Cave Urban (Chile/Australia) Embassy of the North Sea (Netherlands) Julie Gough (Trawlwoolway, Australia) David Haines (England/Australia) & Joyce Hinterding (Australia) Pablo Helguera (Mexico/USA) John Kelly (Dunghutti, Australia) & Rena Shein (Australia) Astrida Neimanis (Canada) José Roca (Colombia) and Juan Francisco Salazar (Chile/Australia) Slow Research Lab (Netherlands) Stephanie Springgay (Canada) Hanna Tuulikki (Finland/Scotland) Tais Rose Wae (Bundjalung, Australia) Judy Watson (Waanyi, Australia) Caroline Woolard (USA)